A pair of Chinese export Famille Verte biscuit porcelain parrots
Early 18th Century, Kangxi Period, China
Length: 12.6 cm x Width: 7.5 cm x Height: 22 cm
長：12.6 x寬：7.5 x高：22釐米
The parrots face each other in mirror image as a true pair, both standing on open, hollow rockwork bases splashed with patches of green and aubergine against the clear glazed porcelain ground. The heads each with a quizzical expression painted in dark green enamel with short black lines in imitation of tight feather work which extends down to the end of the tails, the wings enamelled in aubergine, the feathers painted in black with a more open feather work design, the front enamelled in a light green with stippled decoration in black. The open beaks and claws have been left in the biscuit and might well have originally been painted in cold pigments.
‘The Chinese pavilion at Drottningholm’Malmo Sweden 1974, page 163, from the collection of Hedwig Eleonora and mentioned in the inventory of 1777. ‘The Copeland collection’by William Sargent, The Peabody Museum of Salem 1991. Figure 38. Tale of three cities’, by David Howard, Sothebys 1997 figure 172.